Harlequinade

Choreography by: George Balanchine

Music by: Riccardo Drigo

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Credits

Music
Les Millions d'Arlequin (produced 1900)
Premiere
February 4, 1965, New York City Ballet, New York State Theater
Original Cast
Edward Villella, Patricia McBride, Deni Lamont, Suki Schorer, Michael Arshansky, Shaun O'Brien, Gloria Govrin, Carol Sumner

Length
Act I: 1 hr. 36 min. Act II: 42 min.
Costumes by
Rouben Ter-Arutunian
Set by
Rouben Ter-Arutunian, executed by Feller Scenery Studios
Lighting by
Rouben Ter-Arutunian

Harlequinade is a two-act story ballet in the commedia dell’arte style offering something for every dancegoer: a charming story with the moral of prevailing love, a variety of fanciful and funny characters, vivid sets and costumes, and a slew of supporting roles for students from the School of American Ballet.
 

As a student, Balanchine danced in Marius Petipa's Les Millions d'Harlequin. In Balanchine's two-act version, which he created for the 65th anniversary of the original production, the choreographer, by his own admission, "attempted to remain faithful to the spirit of Petipa's dances" and follows the tradition of the commedia dell'arte. Commedia dell'arte was popular in Italy and France from the 16th to 18th centuries. These comedies were filled with humor, slapstick and mimicry. Actors wore masks of their characters, which became so familiar over time that they evolved into the stock characters — perhaps most notably Pierrot — that today's audiences associate with this theatrical form.
 
The story of Harlequinade is told in the first act and recounts the efforts of Columbine's father to deflect Harlequin's attentions and marry off his daughter to a rich, old suitor. He is aided in this by his servant Pierrot but thwarted by Pierrette, Pierrot's wife. With the help of the Good Fairy, who alters Harlequin's financial prospects, true love triumphs. The second act is devoted to the divertissements that celebrate the wedding of Columbine and her Harlequin. Act II continues a Petipa tradition in which the choreographer liked to insert a popular song into the scores of his ballets. Drigo obliged him with a French song about the Duke of Marlborough which we know today as "For He's a Jolly Good Fellow."


View a slideshow of images from Harlequinade >