Ana Sophia Scheller

Born Buenos Aires, Argentina
Joined NYCB 2004 Principal 2012
 
How and when did you begin dancing?
I was six and living in Buenos Aires, Argentina when my brother enrolled in an after-school soccer program.  I was bored at home so my mom enrolled me in the ballet program.  At the end of every year Nancy Bocca [mother of Julio Bocco, celebrated Argentinean dancer and former member of American Ballet Theatre] would grade us, and I always got a perfect score.  When I was nine, she told my mom that I had very good qualities to become a ballet dancer, and that I should think about attending a serious school. That is when I started training to audition for the Instituto de Arte del Teatro Colon in Buenos Aires, the main ballet school in Argentina.  I got in and studied there for three years.
 
What do you enjoy most about ballet and performing?
I love the hard work and rehearsals. Even if I have already performed a ballet a million times there is always something new that I can learn.  When I perform, I step into a world that is only me, the dance, and the music.  It’s a timeless moment. 
 
Do you have a favorite role?
So far I have really enjoyed dancing Cortege Hongrois.  I love the classicism and grandness of the choreography.  It's a true challenge. 
 
Do you have a pre-performance routine?
I start getting ready two to three hours before each show, depending on what I’m dancing.  It helps me get focused before the performance.  I start with my make-up first and then my hair.  I go to the studio in the theater and choose the pairs of shoes that feel and look the best on my feet.  I always make sure that I have sewn at least 3 pairs or more.  I stretch and warm up at the barre.  Finally, 15 minutes before curtain, I put on my costume and pointe shoes. Once I tie my ribbons, I sew them in place. I do a few pirouettes on stage and then I’m ready to go!
 
What do you like to do outside the ballet studio?
I love going to the Russian Bathhouses and watching Spanish soap operas.
 
What would you like to do when you stop dancing professionally?
I would love to work for a ballet company coaching dancers in main roles.