The first ballet Balanchine choreographed in America is a romantic work of immense sweep, set to a transcendent Tschaikovsky score.
Dark and deadly, The Cage plunges into the world of natural selection, depicting the feral instinct compelling the female of an insect species to consider its male counterpart as prey.
Set to the lilting second movement of Tschaikovsky's Piano Concerto No. 1, Robbins infused this pas de deux with a sense of sweetness and unforced drama.
Opening on a romantic note, each section of Tschaikovsky Suite No. 3 swells with ardor, culminating in a radiant, majestic finale.
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