Dances at a Gathering

Choreography by: Jerome Robbins

Music by: Frédéric Chopin

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Credits

Music
Mazurka, op. 63, no. 3; Waltz, op. 69, no. 2; Mazurka, op. 33, no. 3; Mazurkas, op. 6, nos. 2 and 4, op. 7, nos. 4 and 5, op. 24, no. 2; Waltz, op. 24; Waltz, op. 34, no. 2; Mazurka, op. 56, no. 2; Etude, op. 25, no. 4; Waltz, op. 34, no. 1; Waltz, op. 70, no. 2; Etude, op. 25, no. 5; Etude, op. 10, no. 2; Scherzo, op. 20, no. 1; Nocturne, op. 15, no. 1
Premiere
May 22, 1969, New York City Ballet, New York State Theater
Original Cast
Allegra Kent, Sara Leland, Kay Mazzo, Patricia McBride, Violette Verdy, Anthony Blum, John Clifford, Robert Maiorano, John Prinz, Edward Villella

Length
60 Min.
Costumes by
Joe Eula
Lighting by
Jennifer Tipton

The quintessential piano ballet, Dances at a Gathering distills the spectrum of human interaction into the most natural of movements.





Dances at a Gathering, which premiered in 1969, heralded Jerome Robbins’ return to New York City Ballet after a 13-year absence. Inspired by Chopin’s piano music, Robbins quickly began choreographing in the rehearsal studio. When he showed 25 minutes of choreography to Balanchine, he said, “Make more, make it like popcorn,” pretending to pop popcorn into his mouth. The work eventually expanded to an hour in length with a cast of ten dancers.

Chopin’s mazurkas, waltzes, and études, groundbreaking at the time of their composition, are rooted in the Slavic character of his Polish homeland, yet still convey the elegance of Paris, where they were created. Robbins ultimately used 18 of Chopin’s piano pieces, creating dances for various duets, solos, and larger groupings.

“The ballet stays and exists in the time of the music and its work,” wrote Robbins. “Nothing is out of it, I believe; all gestures and moods, steps, etc. are part of the fabric of the music’s time and its meaning to me.”


VIEW A SLIDESHOW OF IMAGES FROM DANCES AT A GATHERING >