Season & Tickets

Friday May 29, 2015 8:00 PM

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Combining contemporary works with a Robbins classic, this chamber program is a diverse dance event.

  • Location:

  • David H. Koch Theater
  • Running Time:

CLASSIC NYCB II

  • Funérailles

    • Music by: Franz Liszt
    • Choreography by: Liam Scarlett
    • Principal Casting:
      September 23 , October 2, 7, 9: Tiler Peck*, Robert Fairchild* (*first time in role)
      October 11 Eve, 15: Gretchen Smith*, Zachary Catazaro* (*first time in role)

    Following Winter 2014’s Acheron, Scarlett premieres his second work for the Company in just one year.

  • Clearing Dawn

    • Music by: Judd Greenstein
    • Choreography by: Troy Schumacher
    • Principal Casting:
      September 23, October 2, 7, 9, 11 Eve, 15Ashley Bouder*, Teresa Reichlen*, Claire Kretzschmar*, Georgina Pazcoguin*, Andrew Veyette*, David Prottas* (*first time in role)

    NYCB's own Troy Schumacher, whose own BalletCollective was recently deemed a "real discovery" by The New York Times, creates his first work for the Company’s main stage.

  • Varied Trio (in four) (New York Premiere)

    • Music by: Lou Harrison
    • Choreography by: Jean-Pierre Frohlich
    • Principal Casting:
      October 15: Sterling Hyltin*, Amar Ramasar* (*first time in role)

    A collection of short dances for a single couple choreographed by Ballet Master and former Soloist Jean-Pierre Frohlich, Varied Trio makes its New York premiere.

  • This Bitter Earth

    • Music by: Dinah Washington and Max Richter
    • Choreography by: Christopher Wheeldon
    • Principal Casting:
      September 23, October 2, 7, 9, 11 Eve, 16, 18 Mat: Wendy Whelan, Tyler Angle

    Wheeldon’s 2012 pas de deux This Bitter Earth explores Max Richter’s electronic remix of the popular song by the same name.

  • The Goldberg Variations

    • Music by: Johann Sebastian Bach
    • Choreography by: Jerome Robbins

    A testament to Robbins’ unceasing invention, The Goldberg Variations is a choreographic tour de force that pays homage to Bach’s epic score by unifying the traditions of classical and modern movements in one monumental ballet.
     

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