Featured Roles Since Joining NYCB

George Balanchine
  • Brahms-Schoenberg Quartet (Second Movement)
  • Concerto Barocco
  • Firebird
  • The Four Temperaments
  • Liebeslieder Walzer
  • A Midsummer Night's Dream (Cavalier, Theseus)
  • George Balanchine's The Nutcracker® (Hot Chocolate, Mother Ginger, Mouse King, Dr. Stahlbaum)
  • Slaughter on Tenth Avenue (Big Boss)
  • Serenade
  • La Sonnambula
  • Swan Lake
  • Symphony in C 
  • Tschaikovsky Suite No. 3 
  • La Valse
  • Western Symphony
Kim Brandstrup
  • Jeux
Peter Martins
  • Fearful Symmetries
  • Morgen
  • The Sleeping Beauty (Wolf)
  • Swan Lake (Hungarian)
  • Thou Swell
  • The Waltz Project
Benjamin Millepied
  • Plainspoken
Angelin Preljocaj
  • La Stravaganza
Jerome Robbins
  • The Cage
  • The Concert
  • Fancy Free (Bartender)
  • The Four Seasons (Winter, Janus)
  • I'm Old Fashioned
  • N.Y. Export: Opus Jazz
  • West Side Story Suite (Bernardo)
Lynne Taylor-Corbett
  • Chiaroscuro

Originated a featured role in

  • Justin Peck: Rodeo: Four Dance Episodes, The Times Are Racing

originated corps roles in

  • Melissa Barak: Call Me Ben
  • Peter Martins: Romeo + Juliet (Prince Verona)
  • Benjamin Millepied: Why am I not where you are
  • Alexei Ratmansky: Namouna, A Grand Divertissement
  • Lynne Taylor-Corbett: The Seven Deadly Sins
  • Christopher Wheeldon: Estancia, The Nightingale and the Rose

Justin Peck is a soloist and the Resident Choreographer and Artistic Advisor of New York City Ballet. Mr. Peck grew up in San Diego, California, where he studied at California Ballet for two years. In 2003, he began training at the School of American Ballet, the official school of New York City Ballet. He was named an apprentice in 2006, joined the NYCB corps de ballet in spring 2007, and was promoted to soloist in February 2013.

In the fall of 2009, Peck participated in the New York Choreographic Institute, an affiliate of NYCB, and in 2011, Peck received NYCI’s first year-long choreographic residency. Peck choreographed six works for New York City Ballet in two years—In Creases (2012), Year of the Rabbit (2012), Paz de la Jolla (2013), Take-Offs and Landings (NYCB MOVES, 2013), Capricious Maneuvers (2013), and Everywhere We Go (2014)—and was named Resident Choreographer, the second in the Company’s history, in July 2014. As Resident Choreographer, he has created Belles-Lettres (2014), Rodeo: Four Dance Episodes (2015), New Blood (2015), The Most Incredible Thing (2016), The Dreamers (2016), The Decalogue (2017), Pulcinella Variations (2017), The Times Are Racing (2017),  Easy (2018), and Principia (2019).

In addition to his choreographic work for NYCB, Peck has also created ballets for a range of companies including the Paris OpĂ©ra Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet, L.A. Dance Project, the New York Choreographic Institute, the School of American Ballet, the Nantucket Atheneum Dance Festival, and New York City Center’s Fall for Dance Festival. He is the Tony Award–winning choreographer of the 2018 revival of Rodgers and Hammerstein’s Carousel on Broadway.


Peck is the recipient of the 2018 Ted Arison Young Artist Award and Peck’s Rodeo: Four Dance Episodes received a 2015 Bessie Award for Outstanding Production.

Film Credits

His film credits include the Magnolia Pictures documentary film Ballet 422, directed by Jody Lee Lipes, which follows the creation of Peck’s Paz de la Jolla.
Portrait © Paul Kolnik