A Schubertiad

Choreography by: Peter Martins

Music by: Franz Schubert

This 46-minute ballet for 16 dancers and two onstage pianists consists of twenty-three dances and one impromptu for two solo pianists and orchestra. Not seen since 1984, it was revived to celebrate the two hundredth anniversary of Schubert's birth. The ballet's inspiration (and title) comes from what became known as "Schubert evenings" or "Schubertiads." The guests at these informal Viennese musicales were the composer's patrons and friends, and included other musicians, as well as poets and painters. Schubert himself often played the piano at these gatherings; as the evening progressed, he would start to extemporize music to which the guests could dance.

The sets for A Schubertiad recall the early 19th-century Vienna of Schubert's lifetime: a salon inside an estate manor house and a lush garden. The men's costumes reflect the Biedermeier styles of the period, while the women are dressed in more balletic gowns. Mr. Martins' atmospheric ballet is filled with many examples of the inventive partnering for which he is known.

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Fantasie in F Minor, Opus 103 (1828) and Impromptus for Piano, Op. 142, No. 4 (1827), orchestrated by Paul Schwartz
January 26, 1984, New York City Ballet, New York State Theater
Original Cast
Maria Calegari, Nichol Hlinka, Kyra Nichols, Stephanie Saland, Heather Watts, Ib Andersen, Bart Cook, Joseph Duell, Sean Lavery, Jock Soto

46 Min.
Costumes by
Ben Benson
Set by
Federico Pallavicini
Lighting by
Chenault Spence

Production Supervisor
Ronald Bates