NYCB - New York City Ballet

Calendar

Explore all our performances, special events, and public programming in the calendar below or download our season calendars.

FALL 2019 (SEPT 17 – OCT 13) | download calendar
George Balanchine's The Nutcracker^® (NOV 29 - JAN 5) | download calendar
WINTER 2020 (JAN 21 – MAR 1) | download calendar
SPRING 2020 (APR 21 – MAY 31) | download calendar

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January 2020

Wednesday

Jan 29
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  ALL BALANCHINE
  - Allegro Brillante
  - La Source
  - Firebird
  Buy Tickets
  Contrasting Balanchine works illustrate the variety of his imagination. Allegro Brillante dazzles with its intricate choreography, which Balanchine once said “contains everything I know about the classical ballet – in thirteen minutes.” The frolicsome La Source is performed to music from the French composer Delibes. And Balanchine turned once again to Stravinsky for Firebird, a dance drama based on a Russian folk tale, with evocative designs by Marc Chagall.
  Running time: 1 hr 36 min
  - Allegro Brillante
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 22, 25 mat: Tiler Peck, Tyler Angle
    JAN 24: Erica Pereira, Roman Mejia
    JAN 25 eve, 28: Megan Fairchild, Anthony Huxley
    JAN 29: Tiler Peck, Roman Mejia (replaces Tyler Angle)
    
    George Balanchine called the exuberant Allegro Brillante “everything I know about classical ballet in thirteen minutes.”
  - La Source
    
    Music by: Léo Delibes
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 22: Megan Fairchild, Gonzalo Garcia, Emma Von Enck*
    JAN 24: Megan Fairchild, Gonzalo Garcia, Baily Jones*
    JAN 25 mat: Erica Pereira*, Harrison Ball*, Rachel Hutsell*
    JAN 25 eve: Ashley Bouder, Joseph Gordon*, India Bradley*
    JAN 28: Erica Pereira, Harrison Ball, Emma Von Enck
    JAN 29: Ashley Bouder, Joseph Gordon, Baily Jones
    (*first time in role)
    
    A frothy classical wonder, the French-themed La Source combines thrilling ensemble work with virtuoso pas de deux.
  - Firebird
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine and Jerome Robbins
    
    Principal Casting:
    JAN 22, 24 & FEB 1 eve: Ashley Bouder, Andrew Veyette*, Emilie Gerrity, Alec Knight*
    JAN 25 mat, eve: Sara Mearns*, Silas Farley, Megan LeCrone, Gilbert Bolden*
    JAN 28, 29: Teresa Reichlen, Ask la Cour, Miriam Miller*, Christopher Grant*
    (*first time in role)
    
    Dressed in Chagall’s exquisite sets and costumes, Firebird illustrates an enchanting Russian fairytale and the fantastical creatures of its strange world.

Thursday

Jan 30
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  NEW COMBINATIONS
  - Polyphonia
  - Bright
  - Opus 19/The Dreamer
  - Voices (New Ratmansky)
  Buy Tickets
  Balanchine once said, “There are no new steps, only new combinations,” and this annual program invokes that precept by uniting ballets from three of today’s most acclaimed dance-makers and a choreographic legend. Christopher Wheeldon’s Polyphonia, a classic of contemporary ballet, is presented here with Justin Peck’s airy ensemble piece Bright, Jerome Robbins’ masterful Opus 19/The Dreamer, and an Alexei Ratmansky world premiere set to a score by experimental composer Peter Ablinger.
  
  Program runtime subject to change.
  
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.

Friday

Jan 31
- 8 PM
  NEW COMBINATIONS
  - Polyphonia
  - Voices (New Ratmansky)
  - Bright
  - Opus 19/The Dreamer
  Buy Tickets
  Balanchine once said, “There are no new steps, only new combinations,” and this annual program invokes that precept by uniting ballets from three of today’s most acclaimed dance-makers and a choreographic legend. Christopher Wheeldon’s Polyphonia, a classic of contemporary ballet, is presented here with Justin Peck’s airy ensemble piece Bright, Jerome Robbins’ masterful Opus 19/The Dreamer, and an Alexei Ratmansky world premiere set to a score by experimental composer Peter Ablinger.
  
  Program runtime subject to change.
  
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

February 2020

Saturday

Feb 1
- 2 PM
  STRAVINSKY & BALANCHINE
  - Danses Concertantes
  - Monumentum pro Gesualdo
  - Movements for Piano and Orchestra
  - Stravinsky Violin Concerto
  Buy Tickets
  The collaboration of Igor Stravinsky and George Balanchine ranks as one of the most fruitful pairings in 20th-century art. Danses Concertantes, the rare Balanchine-Stravinsky ballet not danced in leotards, is a playful work with tart suggestions of humor and bright costumes. Initially presented separately, Monumentum pro Gesualdo and Movements for Piano and Orchestra have been twinned for more than 50 years. Completing the program is the classic Stravinsky Violin Concerto, among the most celebrated of the many dances Balanchine created to the composer’s work.
  Running time: 1 hr 47 min
  - Danses Concertantes
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Erica Pereira*, Harrison Ball*
    JAN 26, FEB 2: Brittany Pollack*, Daniel Applebaum*
    (*first time in role)
    
    The mercurial movements of this intoxicating ballet feature a series of witty pas de trois that are simultaneously fanciful and invigorating.
  - Monumentum pro Gesualdo
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Teresa Reichlen, Ask la Cour
    JAN 26, FEB 2: Mira Nadon*, Adrian Danchig-Waring*
    (*first time in role)
    
    Known for its plush refinement, this streamlined leotard ballet arrests viewers with its formal beauty and simplicity.
  - Movements for Piano and Orchestra
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Teresa Reichlen, Ask la Cour
    JAN 26, FEB 2: Mira Nadon*, Adrian Danchig-Waring*
    (*first time in role)
    
    A signature leotard ballet, Movements for Piano and Orchestra's dissonance and electric currents sweep on a wave of exacting precision.
  - Stravinsky Violin Concerto
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21: Lauren Lovette, Joseph Gordon, Sara Mearns, Adrian Danchig-Waring
    JAN 23: Lauren Lovette, Joseph Gordon, Claire Kretzschmar, Taylor Stanley
    JAN 26: Emilie Gerrity* (replaces Lauren Lovette), Joseph Gordon, Claire Kretzschmar, Taylor Stanley
    FEB 1 mat, FEB 2: Emilie Gerrity, Ask la Cour, Sara Mearns, Adrian Danchig-Waring
    (*first time in role)
    
    The outer sections of Stravinsky Violin Concerto are carefully-woven masterpieces of symmetry that peel away to reveal two of Balanchine’s most ingenious and unique pas de deux.
- 8 PM
  BALANCHINE + PECK
  - Belles-Lettres
  - In Creases
  - Firebird
  Buy Tickets
  Dances from Resident Choreographer Justin Peck are united with an ebullient Balanchine classic. In Creases, Peck’s first ballet for the Company, draws on the propulsive music of Philip Glass for an ensemble work rich in geometric patterning. Peck’s Belles-Lettres has the distinction of being the only dance in the repertory performed to the music of the Belgian-born composer César Franck. At this performance only, Balanchine’s always enchanting Firebird, complete with fantastical characters and Chagall’s striking scenery, highights his choreographic imagination.
  Running time: 1 hr 30 min
  - Belles-Lettres
    
    Music by: César Franck
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Unity Phelan*, Lauren Lovette, Indiana Woodward, Brittany Pollack, Gilbert Bolden III*, Adrian Danchig-Waring, Andrew Scordato* (replaces Tyler Angle), Victor Abreu*, Anthony Huxley
    (*first time in role)
    
    Layering Franck's lyrical score with Mary Katrantzou's intricately embroidered lace-lettered garments, Belles-Lettres is one of Peck’s most amorous ballets, replete with swooning pas de deux that build to an emotional climax.
  - In Creases
    
    Music by: Philip Glass
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Emilie Gerrity, Kristen Segin**, Sara Adams, Gretchen Smith, Taylor Stanley, Devin Alberda (replaces LaJeromeny Brown), LaJeromeny Brown* (replaces Christopher Grant), Daniel Applebaum
    (*first time in role, **NYC debut)
    
    Like a puzzle of shifting shapes and formations, Peck's first ballet for NYCB showcases his keen eye for manipulating bodies to form complex geometric structures and unique patterns.
  - Firebird
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine and Jerome Robbins
    
    Principal Casting:
    JAN 22, 24 & FEB 1 eve: Ashley Bouder, Andrew Veyette*, Emilie Gerrity, Alec Knight*
    JAN 25 mat, eve: Sara Mearns*, Silas Farley, Megan LeCrone, Gilbert Bolden*
    JAN 28, 29: Teresa Reichlen, Ask la Cour, Miriam Miller*, Christopher Grant*
    (*first time in role)
    
    Dressed in Chagall’s exquisite sets and costumes, Firebird illustrates an enchanting Russian fairytale and the fantastical creatures of its strange world.

Sunday

Feb 2
- 3 PM
  STRAVINSKY & BALANCHINE
  - Danses Concertantes
  - Monumentum pro Gesualdo
  - Movements for Piano and Orchestra
  - Stravinsky Violin Concerto
  Buy Tickets
  The collaboration of Igor Stravinsky and George Balanchine ranks as one of the most fruitful pairings in 20th-century art. Danses Concertantes, the rare Balanchine-Stravinsky ballet not danced in leotards, is a playful work with tart suggestions of humor and bright costumes. Initially presented separately, Monumentum pro Gesualdo and Movements for Piano and Orchestra have been twinned for more than 50 years. Completing the program is the classic Stravinsky Violin Concerto, among the most celebrated of the many dances Balanchine created to the composer’s work.
  Running time: 1 hr 47 min
  - Danses Concertantes
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Erica Pereira*, Harrison Ball*
    JAN 26, FEB 2: Brittany Pollack*, Daniel Applebaum*
    (*first time in role)
    
    The mercurial movements of this intoxicating ballet feature a series of witty pas de trois that are simultaneously fanciful and invigorating.
  - Monumentum pro Gesualdo
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Teresa Reichlen, Ask la Cour
    JAN 26, FEB 2: Mira Nadon*, Adrian Danchig-Waring*
    (*first time in role)
    
    Known for its plush refinement, this streamlined leotard ballet arrests viewers with its formal beauty and simplicity.
  - Movements for Piano and Orchestra
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21, 23, FEB 1 mat: Teresa Reichlen, Ask la Cour
    JAN 26, FEB 2: Mira Nadon*, Adrian Danchig-Waring*
    (*first time in role)
    
    A signature leotard ballet, Movements for Piano and Orchestra's dissonance and electric currents sweep on a wave of exacting precision.
  - Stravinsky Violin Concerto
    
    Music by: Igor Stravinsky
    
    Choreography by: George Balanchine
    
    Principal Casting:
    JAN 21: Lauren Lovette, Joseph Gordon, Sara Mearns, Adrian Danchig-Waring
    JAN 23: Lauren Lovette, Joseph Gordon, Claire Kretzschmar, Taylor Stanley
    JAN 26: Emilie Gerrity* (replaces Lauren Lovette), Joseph Gordon, Claire Kretzschmar, Taylor Stanley
    FEB 1 mat, FEB 2: Emilie Gerrity, Ask la Cour, Sara Mearns, Adrian Danchig-Waring
    (*first time in role)
    
    The outer sections of Stravinsky Violin Concerto are carefully-woven masterpieces of symmetry that peel away to reveal two of Balanchine’s most ingenious and unique pas de deux.

Monday

Feb 3
- 6:30 PM
  
  Ballet Essentials
  
  Buy Tickets
  Movement Workshops for Adults Ages 21+
  
  Experience New York City Ballet in a brand new way in these 75-minute movement workshops for adults with little or no dance training. NYCB dancers lead participants through a ballet warm-up and movement combinations inspired by repertory in the current season. Workshops also include a brief Q&A session with the artists. With an ever-changing roster of dancers and repertory, no two Ballet Essentials are the same. Stretch your mind and body at these one-of-a-kind workshops led by some of your favorite dancers.
  Running time: 1 hr 15 min

Tuesday

Feb 4
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  NEW COMBINATIONS
  - Polyphonia
  - Voices (New Ratmansky)
  - Bright
  - Opus 19/The Dreamer
  Buy Tickets
  Balanchine once said, “There are no new steps, only new combinations,” and this annual program invokes that precept by uniting ballets from three of today’s most acclaimed dance-makers and a choreographic legend. Christopher Wheeldon’s Polyphonia, a classic of contemporary ballet, is presented here with Justin Peck’s airy ensemble piece Bright, Jerome Robbins’ masterful Opus 19/The Dreamer, and an Alexei Ratmansky world premiere set to a score by experimental composer Peter Ablinger.
  
  Program runtime subject to change.
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

Wednesday

Feb 5
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  BALANCHINE + PECK
  - Belles-Lettres
  - In Creases
  - Brahms-Schoenberg Quartet
  Buy Tickets
  Dances from Resident Choreographer Justin Peck are united with an ebullient Balanchine classic. In Creases, Peck’s first ballet for the Company, draws on the propulsive music of Philip Glass for an ensemble work rich in geometric patterning. Peck’s Belles-Lettres has the distinction of being the only dance in the repertory performed to the music of the Belgian-born composer César Franck. Balanchine’s Brahms-Schoenberg Quartet, a ballet in four movements, evokes the majesty of the Austro-Hungarian Empire at its height through its cast of more than 50 dancers and its elegant designs including costumes by the great Karinska.
  Running time: 1 hr 44 min
  - Belles-Lettres
    
    Music by: César Franck
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Unity Phelan*, Lauren Lovette, Indiana Woodward, Brittany Pollack, Gilbert Bolden III*, Adrian Danchig-Waring, Andrew Scordato* (replaces Tyler Angle), Victor Abreu*, Anthony Huxley
    (*first time in role)
    
    Layering Franck's lyrical score with Mary Katrantzou's intricately embroidered lace-lettered garments, Belles-Lettres is one of Peck’s most amorous ballets, replete with swooning pas de deux that build to an emotional climax.
  - In Creases
    
    Music by: Philip Glass
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Emilie Gerrity, Kristen Segin**, Sara Adams, Gretchen Smith, Taylor Stanley, Devin Alberda (replaces LaJeromeny Brown), LaJeromeny Brown* (replaces Christopher Grant), Daniel Applebaum
    (*first time in role, **NYC debut)
    
    Like a puzzle of shifting shapes and formations, Peck's first ballet for NYCB showcases his keen eye for manipulating bodies to form complex geometric structures and unique patterns.
  - Brahms-Schoenberg Quartet
    
    Music by: Johannes Brahms
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 5: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Lauren Lovette, Ask la Cour*; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Teresa Reichlen, Andrew Veyette*
    FEB 8 eve: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Indiana Woodward*, Andrew Veyette; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Sara Mearns, Tyler Angle
    (*first time in role)
    
    A sweeping romantic work for 55 dancers, the Austro-Hungarian-inflected Brahms-Schoenberg Quartet ends in an intoxicating finale.

Thursday

Feb 6
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  CLASSIC NYCB I
  - Haieff Divertimento
  - Concertino
  - Episodes
  - Rodeo: Four Dance Episodes
  Buy Tickets
  To honor Paul Taylor, the American choreographer who passed away in the fall of 2018, the Company will present Balanchine’s neoclassical favorite Episodes incorporating the solo originally danced by Taylor, not included in performances since 1989. Also returning after an absence of more than two decades is Balanchine’s Haieff Divertimento, a charming dance for five couples originally created in 1947. Completing this eclectic program are Concertino, a pas de trois from Jerome Robbins danced to jazzy Stravinsky chamber pieces, and Justin Peck’s Rodeo: Four Dance Episodes, set to Aaron Copland’s celebrated score.
  Running time: 2 hrs 7 min
  - Haieff Divertimento
    
    Music by: Alexei Haieff
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Unity Phelan*, Harrison Ball*
    (*first time in role)
    
    The silken precision of this Black & White ballet, set to a Alexei Haieff composition in equal parts vivacious and quietly nostalgic, makes this rarely performed work a delightful nod to the reputed Balanchine style.
  - Concertino
    
    Music by: Igor Stravinsky
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    FEB 6, 9: Teresa Reichlen*, Jovani Furlan*, Adrian Danchig-Waring*
    (*first time in role)
    
    The captivating suspense of Stravinsky’s score, at times swelling, at others intricately layered, accompanies a trio of dancers and their compelling connectivity.
  - Episodes
    
    Music by: Anton von Webern
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Lauren King, Andrew Veyette*, Claire Kretzschmar, Ask la Cour, Lauren Lovette*, Taylor Stanley, Michael Trusnovec*+, Teresa Reichlen*, Adrian Danchig-Waring
    (*first time in role, +guest artist)
    
    A four part avant-garde work, Episodes grew out of Balanchine’s enthusiasm for Anton von Webern’s orchestral music, which Balanchine once wrote “fills the air like molecules.”
  - Rodeo: Four Dance Episodes
    
    Music by: Aaron Copland
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 6, 9: Sara Mearns, Peter Walker*, Daniel Ulbricht, Gonzalo Garcia, Anthony Huxley
    (*first time in role)
    
    An abstract take on Aaron Copland’s well known Americana score, Rodeo: Four Dance Episodes pairs a lone woman with a cast of 15 jocular, energetic, and charming male dancers for a fresh and thrilling adventure that audiences adore.

Friday

Feb 7
- 8 PM
  NEW COMBINATIONS
  - Polyphonia
  - Voices (New Ratmansky)
  - Bright
  - Opus 19/The Dreamer
  Buy Tickets
  Even as the Company draws deeply on its repertory, it has continually commissioned new works to create a living canon of contemporary ballets. “There are no new steps, only new combinations,” Balanchine once said. This annual program invokes that precept: Christopher Wheeldon’s Polyphonia has, since its 2001 premiere, become a classic of contemporary ballet. It is presented here alongside Justin Peck’s Spring 2019 premiere Bright, set to a score by the American composer Mark Dancigers, and a premiere from Alexei Ratmansky, bringing together on one program three of today’s most acclaimed dance-makers.
  
  Program runtime subject to change.
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

Saturday

Feb 8
- 1 PM
  
  Children with Autism Workshop
  
  Reserve Tickets
- 2 PM
  NEW COMBINATIONS
  - Polyphonia
  - Voices (New Ratmansky)
  - Bright
  - Opus 19/The Dreamer
  Buy Tickets
  Balanchine once said, “There are no new steps, only new combinations,” and this annual program invokes that precept by uniting ballets from three of today’s most acclaimed dance-makers and a choreographic legend. Christopher Wheeldon’s Polyphonia, a classic of contemporary ballet, is presented here with Justin Peck’s airy ensemble piece Bright, Jerome Robbins’ masterful Opus 19/The Dreamer, and an Alexei Ratmansky world premiere set to a score by experimental composer Peter Ablinger.
  
  Program runtime subject to change.
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.
- 8 PM
  BALANCHINE + PECK
  - Belles-Lettres
  - In Creases
  - Brahms-Schoenberg Quartet
  Buy Tickets
  Dances from Resident Choreographer Justin Peck are united with an ebullient Balanchine classic. In Creases, Peck’s first ballet for the Company, draws on the propulsive music of Philip Glass for an ensemble work rich in geometric patterning. Peck’s Belles-Lettres has the distinction of being the only dance in the repertory performed to the music of the Belgian-born composer César Franck. Balanchine’s Brahms-Schoenberg Quartet, a ballet in four movements, evokes the majesty of the Austro-Hungarian Empire at its height through its cast of more than 50 dancers and its elegant designs including costumes by the great Karinska.
  Running time: 1 hr 44 min
  - Belles-Lettres
    
    Music by: César Franck
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Unity Phelan*, Lauren Lovette, Indiana Woodward, Brittany Pollack, Gilbert Bolden III*, Adrian Danchig-Waring, Andrew Scordato* (replaces Tyler Angle), Victor Abreu*, Anthony Huxley
    (*first time in role)
    
    Layering Franck's lyrical score with Mary Katrantzou's intricately embroidered lace-lettered garments, Belles-Lettres is one of Peck’s most amorous ballets, replete with swooning pas de deux that build to an emotional climax.
  - In Creases
    
    Music by: Philip Glass
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Emilie Gerrity, Kristen Segin**, Sara Adams, Gretchen Smith, Taylor Stanley, Devin Alberda (replaces LaJeromeny Brown), LaJeromeny Brown* (replaces Christopher Grant), Daniel Applebaum
    (*first time in role, **NYC debut)
    
    Like a puzzle of shifting shapes and formations, Peck's first ballet for NYCB showcases his keen eye for manipulating bodies to form complex geometric structures and unique patterns.
  - Brahms-Schoenberg Quartet
    
    Music by: Johannes Brahms
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 5: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Lauren Lovette, Ask la Cour*; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Teresa Reichlen, Andrew Veyette*
    FEB 8 eve: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Indiana Woodward*, Andrew Veyette; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Sara Mearns, Tyler Angle
    (*first time in role)
    
    A sweeping romantic work for 55 dancers, the Austro-Hungarian-inflected Brahms-Schoenberg Quartet ends in an intoxicating finale.

Sunday

Feb 9
- 3 PM
  CLASSIC NYCB I
  - Haieff Divertimento
  - Concertino
  - Episodes
  - Rodeo: Four Dance Episodes
  Buy Tickets
  To honor Paul Taylor, the American choreographer who passed away in the fall of 2018, the Company will present Balanchine’s neoclassical favorite Episodes incorporating the solo originally danced by Taylor, not included in performances since 1989. Also returning after an absence of more than two decades is Balanchine’s Haieff Divertimento, a charming dance for five couples originally created in 1947. Completing this eclectic program are Concertino, a pas de trois from Jerome Robbins danced to jazzy Stravinsky chamber pieces, and Justin Peck’s Rodeo: Four Dance Episodes, set to Aaron Copland’s celebrated score.
  Running time: 2 hrs 7 min
  - Haieff Divertimento
    
    Music by: Alexei Haieff
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Unity Phelan*, Harrison Ball*
    (*first time in role)
    
    The silken precision of this Black & White ballet, set to a Alexei Haieff composition in equal parts vivacious and quietly nostalgic, makes this rarely performed work a delightful nod to the reputed Balanchine style.
  - Concertino
    
    Music by: Igor Stravinsky
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    FEB 6, 9: Teresa Reichlen*, Jovani Furlan*, Adrian Danchig-Waring*
    (*first time in role)
    
    The captivating suspense of Stravinsky’s score, at times swelling, at others intricately layered, accompanies a trio of dancers and their compelling connectivity.
  - Episodes
    
    Music by: Anton von Webern
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Lauren King, Andrew Veyette*, Claire Kretzschmar, Ask la Cour, Lauren Lovette*, Taylor Stanley, Michael Trusnovec*+, Teresa Reichlen*, Adrian Danchig-Waring
    (*first time in role, +guest artist)
    
    A four part avant-garde work, Episodes grew out of Balanchine’s enthusiasm for Anton von Webern’s orchestral music, which Balanchine once wrote “fills the air like molecules.”
  - Rodeo: Four Dance Episodes
    
    Music by: Aaron Copland
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 6, 9: Sara Mearns, Peter Walker*, Daniel Ulbricht, Gonzalo Garcia, Anthony Huxley
    (*first time in role)
    
    An abstract take on Aaron Copland’s well known Americana score, Rodeo: Four Dance Episodes pairs a lone woman with a cast of 15 jocular, energetic, and charming male dancers for a fresh and thrilling adventure that audiences adore.

Monday

Feb 10
- There are no events for this date.

Tuesday

Feb 11
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  BALANCHINE + PECK
  - Belles-Lettres
  - In Creases
  - Brahms-Schoenberg Quartet
  Buy Tickets
  Dances from Resident Choreographer Justin Peck are united with an ebullient Balanchine classic. In Creases, Peck’s first ballet for the Company, draws on the propulsive music of Philip Glass for an ensemble work rich in geometric patterning. Peck’s Belles-Lettres has the distinction of being the only dance in the repertory performed to the music of the Belgian-born composer César Franck. Balanchine’s Brahms-Schoenberg Quartet, a ballet in four movements, evokes the majesty of the Austro-Hungarian Empire at its height through its cast of more than 50 dancers and its elegant designs including costumes by the great Karinska.
  Running time:
  - Belles-Lettres
    
    Music by: César Franck
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Unity Phelan*, Lauren Lovette, Indiana Woodward, Brittany Pollack, Gilbert Bolden III*, Adrian Danchig-Waring, Andrew Scordato* (replaces Tyler Angle), Victor Abreu*, Anthony Huxley
    (*first time in role)
    
    Layering Franck's lyrical score with Mary Katrantzou's intricately embroidered lace-lettered garments, Belles-Lettres is one of Peck’s most amorous ballets, replete with swooning pas de deux that build to an emotional climax.
  - In Creases
    
    Music by: Philip Glass
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Emilie Gerrity, Kristen Segin**, Sara Adams, Gretchen Smith, Taylor Stanley, Devin Alberda (replaces LaJeromeny Brown), LaJeromeny Brown* (replaces Christopher Grant), Daniel Applebaum
    (*first time in role, **NYC debut)
    
    Like a puzzle of shifting shapes and formations, Peck's first ballet for NYCB showcases his keen eye for manipulating bodies to form complex geometric structures and unique patterns.
  - Brahms-Schoenberg Quartet
    
    Music by: Johannes Brahms
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 5: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Lauren Lovette, Ask la Cour*; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Teresa Reichlen, Andrew Veyette*
    FEB 8 eve: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Indiana Woodward*, Andrew Veyette; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Sara Mearns, Tyler Angle
    (*first time in role)
    
    A sweeping romantic work for 55 dancers, the Austro-Hungarian-inflected Brahms-Schoenberg Quartet ends in an intoxicating finale.

Wednesday

Feb 12
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  NEW COMBINATIONS
  - Polyphonia
  - Voices (New Ratmansky)
  - Bright
  - Opus 19/The Dreamer
  Buy Tickets
  Balanchine once said, “There are no new steps, only new combinations,” and this annual program invokes that precept by uniting ballets from three of today’s most acclaimed dance-makers and a choreographic legend. Christopher Wheeldon’s Polyphonia, a classic of contemporary ballet, is presented here with Justin Peck’s airy ensemble piece Bright, Jerome Robbins’ masterful Opus 19/The Dreamer, and an Alexei Ratmansky world premiere set to a score by experimental composer Peter Ablinger.
  
  Program runtime subject to change.
  Running time: 2 hr 5 min
  - Polyphonia
    
    Music by: György Ligeti
    
    Choreography by: Christopher Wheeldon
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Lauren Lovette*, Megan Fairchild*, Allston Macgill*, Sara Mearns, Andrew Veyette*, Jovani Furlan*, Roman Mejia*, Silas Farley*
    FEB 7, 8 mat: Unity Phelan, Brittany Pollack, Emma Von Enck*, Indiana Woodward*, Peter Walker*, Harrison Ball*, Sebastian Villarini-Velez*, Christopher Grant*
    (*first time in role)
    
    Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.
  - Voices (New Ratmansky)
    
    Music by: Peter Ablinger
    
    Choreography by: Alexei Ratmansky
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Sara Mearns*, Megan Fairchild, Unity Phelan*, Georgina Pazcoguin*, Lauren Lovette*, Ask la Cour* (replaces Tyler Angle), Joseph Gordon*, Adrian Danchig-Waring*, Roman Mejia*, Andrew Veyette*
    FEB 7, 8 mat: Teresa Reichlen*, Indiana Woodward*, Mary Thomas MacKinnon*, Megan LeCrone*, Alexa Maxwell*, Ask la Cour, Jovani Furlan*, Peter Walker*, Davide Riccardo*, Harrison Ball*
    (*first time in role)
    
    His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.
  - Bright
    
    Music by: Mark Dancigers
    
    Choreography by: Justin Peck
    
    Principal Casting:
    JAN 30, 31 & FEB 4: Mira Nadon*, Emilie Gerrity, Sara Adams, Peter Walker*, Andrew Scordato, Gilbert Bolden III
    FEB 7, 8 mat: Sara Mearns, Emilie Gerrity, Sara Adams, Preston Chamblee*, Andrew Scordato, Gilbert Bolden III
    (*first time in role)
    
    Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.
  - Opus 19/The Dreamer
    
    Music by: Sergei Prokofiev
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    JAN 30, 31: Unity Phelan*, Gonzalo Garcia
    FEB 4, 7: Brittany Pollack*, Gonzalo Garcia
    FEB 8 mat: Lauren Lovette, Taylor Stanley
    (*first time in role)
    
    Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, Jerome Robbins’ Opus 19/The Dreamer focuses on the male protagonist’s elusive interactions with his ethereal counterpart. The ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

Thursday

Feb 13
- 7:30 PM
  BALANCHINE + PECK
  - Belles-Lettres
  - In Creases
  - Brahms-Schoenberg Quartet
  Buy Tickets
  Dances from Resident Choreographer Justin Peck are united with an ebullient Balanchine classic. In Creases, Peck’s first ballet for the Company, draws on the propulsive music of Philip Glass for an ensemble work rich in geometric patterning. Peck’s Belles-Lettres has the distinction of being the only dance in the repertory performed to the music of the Belgian-born composer César Franck. Balanchine’s Brahms-Schoenberg Quartet, a ballet in four movements, evokes the majesty of the Austro-Hungarian Empire at its height through its cast of more than 50 dancers and its elegant designs including costumes by the great Karinska.
  Running time: 1 hr 44 min
  - Belles-Lettres
    
    Music by: César Franck
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Unity Phelan*, Lauren Lovette, Indiana Woodward, Brittany Pollack, Gilbert Bolden III*, Adrian Danchig-Waring, Andrew Scordato* (replaces Tyler Angle), Victor Abreu*, Anthony Huxley
    (*first time in role)
    
    Layering Franck's lyrical score with Mary Katrantzou's intricately embroidered lace-lettered garments, Belles-Lettres is one of Peck’s most amorous ballets, replete with swooning pas de deux that build to an emotional climax.
  - In Creases
    
    Music by: Philip Glass
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 1 eve, 5, 8 eve: Emilie Gerrity, Kristen Segin**, Sara Adams, Gretchen Smith, Taylor Stanley, Devin Alberda (replaces LaJeromeny Brown), LaJeromeny Brown* (replaces Christopher Grant), Daniel Applebaum
    (*first time in role, **NYC debut)
    
    Like a puzzle of shifting shapes and formations, Peck's first ballet for NYCB showcases his keen eye for manipulating bodies to form complex geometric structures and unique patterns.
  - Brahms-Schoenberg Quartet
    
    Music by: Johannes Brahms
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 5: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Lauren Lovette, Ask la Cour*; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Teresa Reichlen, Andrew Veyette*
    FEB 8 eve: First Movement: Ashley Bouder, Joseph Gordon, Emily Kikta; Second Movement: Indiana Woodward*, Andrew Veyette; Third Movement: Megan Fairchild, Gonzalo Garcia; Fourth Movement: Sara Mearns, Tyler Angle
    (*first time in role)
    
    A sweeping romantic work for 55 dancers, the Austro-Hungarian-inflected Brahms-Schoenberg Quartet ends in an intoxicating finale.

Friday

Feb 14
- 1 PM
  
  WORKING DRESS REHEARSAL: SWAN LAKE
  
  Buy Tickets
  THIS EVENT IS OPEN TO NYCB MEMBERS ONLY.
  
  Members, please enter your promo code below to see the seatmap for this event.
  
  If you are interested in becoming a member in order to attend this event, please call 212-870-5677. To learn more about NYCB's Circle of Friends, please visit the Become a Member page.
  Running time: 2 hrs
- 7:40 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 8 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Saturday

Feb 15
- 10:30 AM
  
  Ballet Essentials
  
  Buy Tickets
  Movement Workshops for Adults Ages 21+
  
  Experience New York City Ballet in a brand new way in these 75-minute movement workshops for adults with little or no dance training. NYCB dancers lead participants through a ballet warm-up and movement combinations inspired by repertory in the current season. Workshops also include a brief Q&A session with the artists. With an ever-changing roster of dancers and repertory, no two Ballet Essentials are the same. Stretch your mind and body at these one-of-a-kind workshops led by some of your favorite dancers.
  Running time: 1 hr 15 min
- 12:45 PM
  
  Children's Workshop
  
  Buy Tickets
  For Children Ages 5 – 7
  
  Join the artists of New York City Ballet in this 45-minute pre-performance exploration of the music, movement, and themes of a ballet featured in the matinee performance. NYCB Teaching Artists guide children in a ballet warm-up and movement combination, concluding in a lively performance for accompanying family and friends. No prior dance training needed.
  
  All Children’s Workshops take place before family-friendly matinee performances. Performance tickets must be purchased separately but are not required to attend these workshops. Please note that both children and adults need a ticket in order to attend this event.
  Running time: 45 min
- 2 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.
- 8 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Sunday

Feb 16
- 12:45 PM
  
  Children's Workshop
  
  Buy Tickets
  For Children Ages 5 – 7
  
  Join the artists of New York City Ballet in this 45-minute pre-performance exploration of the music, movement, and themes of a ballet featured in the matinee performance. NYCB Teaching Artists guide children in a ballet warm-up and movement combination, concluding in a lively performance for accompanying family and friends. No prior dance training needed.
  
  All Children’s Workshops take place before family-friendly matinee performances. Performance tickets must be purchased separately but are not required to attend these workshops. Please note that both children and adults need a ticket in order to attend this event.
  Running time: 45 min
- 12:45 PM
  
  In Motion Workshop
  
  Buy Tickets
  For Children Ages 8 – 12
  
  Join the artists of New York City Ballet in this 45-minute pre-performance exploration of the music, movement, and themes of a ballet featured in the matinee performance. Each workshop includes a ballet warm-up, a movement combination with choreography inspired by the featured ballet and a brief interview with NYCB dancers. No prior dance training needed, and children without dance experience are encouraged to attend.
  
  All In Motion Workshops take place before family-friendly matinee performances. Performance tickets must be purchased separately but are not required to attend these workshops. Please note that both children and adults need a ticket in order to attend this event.
  Running time: 45 min
- 2 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.
- 7 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Monday

Feb 17
- There are no events for this date.

Tuesday

Feb 18
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Wednesday

Feb 19
- 7:30 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Thursday

Feb 20
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Friday

Feb 21
- 8 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Saturday

Feb 22
- 11 AM
  
  Family Saturdays
  
  Buy Tickets
  FOR FAMILIES WITH CHILDREN AGES 5 AND OLDER
  
  A SWAN STORY // The wicked sorcerer von Rothbart has transformed Odette and her friends into swans; only at night can they return to their human form. Will Prince Siegfried be able to save Odette or will she be doomed to remain a swan forever? Join us as we journey to the enchanted lakeside where Prince Siegfried and Odette’s heartbreaking love story unfolds. Host Daniel Ulbricht and the artists of NYCB will provide a unique look at Swan Lake, one of the most famous ballets of all time, in this presentation perfectly suited for families. Please note that both children and adults need a ticket in order to attend this event.
  
  Running time: 1 hr
- 2 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.
- 7:40 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 8 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Sunday

Feb 23
- 2:40 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 3 PM
  SWAN LAKE
  - Swan Lake (Martins)
  Buy Tickets
  Perhaps the most famous of all classical ballets, Swan Lake combines a mythical tale of love and loss with the music of Tschaikovsky at his most rapturously beautiful. Peter Martins’ staging draws on the beloved original choreography of Marius Petipa and Lev Ivanov, as well as the one-act distillation of the ballet created by Balanchine. The striking décor and costumes, infusing the ballet’s sweeping romantic atmosphere with glints of modernism, are by the contemporary Danish artist Per Kirkeby.
  Running time: 2 hrs 34 min
  - Swan Lake (Martins)
    
    Music by: Peter Ilyitch Tschaikovsky
    
    Choreography by: Peter Martins after Marius Petipa, Lev Ivanov, and George Balanchine
    
    A stunning romantic tragedy, this seminal ballet is shaped by Tschaikovsky’s heartbreakingly beautiful score and the central role of Odette/Odile, an interpretation that is both technically and emotionally demanding.

Monday

Feb 24
- There are no events for this date.

Tuesday

Feb 25
- 7:10 PM
  
  First Position Discussions
  
  Free for all ticket holders, these informal discussions on the program begin 20 minutes before curtain on the right side of the Fourth Ring and during intermission/s.
- 7:30 PM
  CLASSIC NYCB I
  - Haieff Divertimento
  - Concertino
  - Episodes
  - Rodeo: Four Dance Episodes
  Buy Tickets
  To honor Paul Taylor, the American choreographer who passed away in the fall of 2018, the Company will present Balanchine’s neoclassical favorite Episodes incorporating the solo originally danced by Taylor, not included in performances since 1989. Also returning after an absence of more than two decades is Balanchine’s Haieff Divertimento, a charming dance for five couples originally created in 1947. Completing this eclectic program are Concertino, a pas de trois from Jerome Robbins danced to jazzy Stravinsky chamber pieces, and Justin Peck’s Rodeo: Four Dance Episodes, set to Aaron Copland’s celebrated score.
  
  *This performance includes a See the Music orchestral demonstration providing insights on the music of Rodeo: Four Dance Episodes.
  Running time: 2 hrs 19 min
  - Haieff Divertimento
    
    Music by: Alexei Haieff
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Unity Phelan*, Harrison Ball*
    (*first time in role)
    
    The silken precision of this Black & White ballet, set to a Alexei Haieff composition in equal parts vivacious and quietly nostalgic, makes this rarely performed work a delightful nod to the reputed Balanchine style.
  - Concertino
    
    Music by: Igor Stravinsky
    
    Choreography by: Jerome Robbins
    
    Principal Casting:
    FEB 6, 9: Teresa Reichlen*, Jovani Furlan*, Adrian Danchig-Waring*
    (*first time in role)
    
    The captivating suspense of Stravinsky’s score, at times swelling, at others intricately layered, accompanies a trio of dancers and their compelling connectivity.
  - Episodes
    
    Music by: Anton von Webern
    
    Choreography by: George Balanchine
    
    Principal Casting:
    FEB 6, 9: Lauren King, Andrew Veyette*, Claire Kretzschmar, Ask la Cour, Lauren Lovette*, Taylor Stanley, Michael Trusnovec*+, Teresa Reichlen*, Adrian Danchig-Waring
    (*first time in role, +guest artist)
    
    A four part avant-garde work, Episodes grew out of Balanchine’s enthusiasm for Anton von Webern’s orchestral music, which Balanchine once wrote “fills the air like molecules.”
  - Rodeo: Four Dance Episodes
    
    Music by: Aaron Copland
    
    Choreography by: Justin Peck
    
    Principal Casting:
    FEB 6, 9: Sara Mearns, Peter Walker*, Daniel Ulbricht, Gonzalo Garcia, Anthony Huxley
    (*first time in role)
    
    An abstract take on Aaron Copland’s well known Americana score, Rodeo: Four Dance Episodes pairs a lone woman with a cast of 15 jocular, energetic, and charming male dancers for a fresh and thrilling adventure that audiences adore.

Wednesday

Feb 26
- 7:30 PM
  Classic NYCB II
  - In G Major
  - New Peck (Muhly)
  - DGV: Danse à Grande Vitesse
  Buy Tickets
  For his newest work, Resident Choreographer Justin Peck will create a dance to a commissioned score by acclaimed American composer Nico Muhly. Preceding Peck’s world premiere is Jerome Robbins’ buoyantly charming In G Major, featuring scenery and costumes by the Art Deco artist Erté. Completing the program is Christopher Wheeldon’s DGV: Danse à Grande Vitesse, a fleet and intricate dance for a cast of more than 25 performed to a minimalist score by Michael Nyman, composed in honor of a new addition to the high-speed French train service known as the TGV.
  Running time: 2 hrs
  - In G Major
    
    Music by: Maurice Ravel
    
    Choreography by: Jerome Robbins
    
    With the playful jazz accents of Ravel’s Concerto in G and fashionable scenery and costumes by Erté, this lighthearted ballet suggests a chic Riviera setting.
  - New Peck (Muhly)
    
    Music by: Nico Muhly
    
    Choreography by: Justin Peck
    
    Uniting for the first time, Resident Choreographer Justin Peck will collaborate with contemporary composer Nico Muhly, who will contribute a commissioned score for Peck’s sole premiere in 19-20.
  - DGV: Danse à Grande Vitesse
    
    Music by: Michael Nyman
    
    Choreography by: Christopher Wheeldon
    
    Set to a supercharged, minimalist score, DGV: Danse à Grande Vitesse propels 26 dancers in sleek costumes through surging, relentless movement in front of a structural metallic background.

Date Range

Ballets & Events

Days

January 2020

February 2020