Taylor Stanley on George Balanchine's SQUARE DANCE
Principal Dancer Taylor Stanley talks about why the pensive male solo in Balanchine's Square Dance suits his personality on and off the stage.
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Harrison Ball and Indiana Woodward on Dances at a Gathering
Indiana Woodward and Harrison Ball discuss the humanity, community, and love found in Jerome Robbins’ masterwork Dances at a Gathering, and how the hour-long ballet isn’t just danced for the audience, but for each other.
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Taylor Stanley on Opus19/The Dreamer
Principal Dancer Taylor Stanley delves into Jerome Robbins’ moody Opus 19/The Dreamer, discussing the therapeutic nature of taking on a ballet that essentially takes place in another reality.
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Russell Janzen on GLASS PIECES
As dancer Russell Janzen notes, Jerome Robbins’ Glass Pieces may be an abstract ballet with an experimental score by Phillip Glass, yet it’s also rooted in the real world, especially the feeling of driving, pulsing undercurrents found just by walking through New York City.
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Andrew Veyette on STARS AND STRIPES
Andrew Veyette discusses George Balanchine's patriotic tribute to America and the legacy of El Capitan, a role he's performed for 17 years.
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Tiler Peck, Teresa Reichlen and Sara Mearns on George Balanchine's JEWELS
Principal dancers Tiler Peck, Teresa Reichlen and Sara Mearns talk about George Balanchine's "Jewels," an epic full-length evening consisting of three remarkable ballets: Emeralds, Rubies and Diamonds. With music by Gabriel Faure, Igor Stravinsky and Pyotr Ilyich Tschaikovsky.
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Kristen Segin on Jerome Robbins' N.Y. EXPORT: OPUS JAZZ
Corps de Ballet Member Kristen Segin talks about letting loose and bonding with fellow corps members in Jerome Robbins’ iconic “ballet in sneakers”, NY Export: Opus Jazz.
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Justin Peck and Taylor Stanley on Peck's Rodeo: Four Dance Episodes
Choreographer Justin Peck discusses his new take on Aaron Copland’s famous Rodeo, while Justin’s long time collaborator, Soloist Taylor Stanley, talks about how Justin is challenging the Company’s male dancers in surprising new ways.
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Tyler Angle on FANCY FREE
Tyler Angle talks about how his real-life friendship with his fellow dancers helps him dance the role of a shy sailor looking for love in Jerome Robbins' very first ballet, set on the streets and in the bars of 1940s-era New York City.
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Ashley Bouder and Sara Mearns on Peter Martins' SWAN LAKE
Principal dancers Ashley Bouder and Sara Mearns take us behind the scenes of their rehearsal process for the iconic role of the Swan Queen - and talk about why Peter Martins' choreography of the final act gives them goosebumps every time.
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Adrian Danchig-Waring on THE FOUR TEMPERAMENTS
Principal dancer Adrian Danchig-Waring talks about the medieval inspiration behind Balanchine's modernist masterpiece, and how FOUR TEMPERAMENTS has stood the test of time.
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Megan LeCrone on Balanchine's AGON
Megan LeCrone talks about her special relationship with George Balanchine's AGON and why the ballet is still as radical today as it was in 1957.
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Jared Angle on BARBER VIOLIN CONCERTO
Principal Dancer Jared Angle talks about finding new ways of moving and exploring his modern side in Peter Martins' BARBER VIOLIN CONCERTO
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Ashley Laracey on George Balanchine's CONCERTO BAROCCO
Soloist Ashley Laracey talks about what makes the corps of NYC Ballet so unique - and shares their special pre-show ritual - in this behind-the-scenes look at one of Balanchine's most iconic ballets.
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Teresa Reichlen on Balanchine's WESTERN SYMPHONY
Principal dancer Teresa Reichlen takes us behind the scenes of her rehearsal process for the iconic ballerina role in Western Symphony, and talks about how Balanchine's love for America comes across in this fun, charming ballet set in the Wild West.
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Georgina Paczoguin and Andrew Veyette on WEST SIDE STORY SUITE
Georgina Pazcoguin, who plays Anita, and Andrew Veyette, who plays Riff, discuss how Jerome Robbins created a suite of dances from his hit Broadway show for New York City Ballet; why "West Side Story" still matters; and how ballet dancers handle the pressure of singing live to Leonard Bernstein's iconic score.
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Tiler Peck on Balanchine's TSCHAIKOVSKY PAS DE DEUX
Principal Dancer Tiler Peck talks about taking risks and learning to trust herself in Balanchine's high energy crowd pleaser set to extra music from Tschaikovsky's Swan Lake
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Daniel Ulbricht on Balanchine's TARANTELLA
NYCB Principal Dancer Daniel Ulbricht describes how George Balanchine turned an Italian folk dance based on a myth about spiders into a six minute powerhouse of a ballet.
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Ashley Bouder on Balanchine's SERENADE
Principal Dancer Ashley Bouder talks about why dancing Serenade is amazing for both the corps and the principals, and why Balanchine's first ballet in America is still relevant today.
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Jared Angle on Jerome Robbins' MOVES
Principal dancer Jared Angle talks about how dancing in silence intensifies his connection to the audience and his fellow dancers in Moves, the only ballet in the repertory without music.
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Lauren Lovette on George Balanchine's RAYMONDA VARIATIONS
Principal Dancer Lauren Lovette talks about battling nerves and bringing out her lyrical side in Balanchine's Raymonda Variations.
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Amar Ramasar on Alexei Ratmansky's PICTURES AT AN EXHIBITION
Principal dancer Amar Ramasar talks about how working with Alexei Ratmansky pushed him to the limit in the choreographer’s fourth work for NYCB, Pictures at an Exhibition.
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Cameron Grant & Tyler Angle on THE GOLDBERG VARIATIONS
Solo Pianist Cameron Grant and Tyler Angle on how the music takes center stage in Jerome Robbins’ epic The Goldberg Variations, a 90-minute work set to Bach’s iconic piano works of the same name.
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Teresa Reichlen on George Balanchine's SYMPHONY IN C
Principal dancer Teresa Reichlen talks about how class technique translates to the stage in Balanchine’s iconic Symphony in C, and how she developed a new level of trust in her partner while dancing the 2nd movement ballerina role.
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Lauren Lovette on Interplay
Lauren Lovette talks about the natural camaraderie and playful competition on stage in Jerome Robbins' Interplay.
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Maria Kowroski on George Balanchine's CHACONNE
Maria Kowroski talks about her favorite way to open a ballet and the tricky footwork involved in George Balanchine's Chaconne.
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Claire Kretzschmar on MES OISEAUX
Claire Kretzschmar talks about originating a featured role in a new ballet by Peter Martins, and what it's like to wear a costume created by designer Gilles Mendel.
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Tyler Angle on MERCURIAL MANOEUVRES
Tyler Angle discusses choreographer Christopher Wheeldon's unique style in Mercurial Manoeuvres, how Shostakovich's playful humor comes out in his Piano Concerto No. 1, and what it takes for a male dancer to be a really good partner.
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Teresa Reichlen on FIREBIRD
Teresa Reichlen discusses what makes a Firebird different from a Swan and what it feels like to be in the spotlight dancing to Stravinsky's famous score.
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Gretchen Smith on DGV: Danse à Grande Vitesse
Gretchen Smith talks about the difficulties of rehearsing large ballets on stage and the important role of the corps de ballet in Christopher Wheeldon's DGV:Danse à Grande Vitesse.
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Ashley Bouder on THE FOUR SEASONS
Ashley Bouder talks about combining humor with precise classical technique in Jerome Robbins' The Four Seasons.
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Andrew Veyette on VESPRO
Andrew Veyette takes a giant leap into the unknown and pushes his technique to the edge of impossibility in Mauro Bigonzetti's Vespro.
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Tiler Peck on LES CARILLONS
Tiler Peck (with special guest Cali) on what it's like to have a role made especially for her in Christopher Wheeldon's ballet, Les Carillons, which premiered in the 2012 winter season at NYCB's first ever All Wheeldon evening.
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Marika Anderson on Balanchine's Swan Lake
Marika Anderson talks about her childhood love of Tschaikovsky and the important role of the corps in Balanchine's one-act Swan Lake.
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Sterling Hyltin on THE CONCERT
Sterling Hyltin discusses what it takes to play the "mad ballerina" in Jerome Robbins' comic ballet about "the perils of everybody".
