Special Thanks

SPECIAL THANKS

Lead underwriting support for Justin Peck’s World Premiere is provided by Emily Blavatnik/Blavatnik Family Foundation.

New York City Ballet’s student matinees and school residencies are generously underwritten by a leadership grant in memory of Ralph W. Kern.

Lead underwriting support for Beneath the Tides and the NYCB production of Each in Their Own Time is provided by Elysabeth Kleinhans.

Lead underwriting support for the All Peck program celebrating Justin Peck’s 10th Anniversary as Resident Choreographer is provided by Lynne and Richard Pasculano.

New York City Ballet recognizes Rampoldi Restaurant for its generous support throughout our 24-25 Season.

Leadership support for the 2025 Art Series is provided by The Zelnick Belzberg Charitable Trust.

The Winter Season performances of Swan Lake are generously sponsored by Bank of America.

Performances of ballets by George Balanchine and Jerome Robbins are made possible in part by generous support from donors to the Allegro Circle.

Leadership support for new work is provided by the LuEsther T. Mertz Charitable Trust.

New work commissions are made possible in part by generous support from donors to the New Combinations Fund.

The Stepping Forward Fund to support the salaries of NYCB dancers during their first year in the Company has been made possible through the generosity of the Joseph and Sylvia Slifka Foundation and Martha and Bob Lipp.

The creation and maintenance of New York City Ballet’s costumes are endowed in part by the LuEsther T. Mertz Costume Fund.

The Corps de Ballet is endowed in part by the Carl Jacobs Foundation.

New York City Ballet gratefully acknowledges The Jerome Robbins Foundation for leadership support of its Repertory Directors who ensure the excellence and vitality of the Company's repertory performances.

Commissioning support for emerging choreographers is provided by the Rudolf Nureyev Fund for Emerging Choreographers, established through a leadership grant from the Rudolf Nureyev Dance Foundation with additional grants from the Harriet Ford Dickenson Foundation and the Joseph and Sylvia Slifka Foundation.

New York City Ballet gratefully acknowledges the Lila Acheson and DeWitt Wallace Endowment Fund, which provides support for new work and audience development.

New York City Ballet’s musical leadership is endowed in part by the Agnes Gund and Daniel Shapiro Fund for Musical Excellence.

The creation and performance of works by Peter Martins is funded in part by an endowment gift from the Solomon family, given in loving memory of Carolyn B. Solomon.

New York City Ballet’s performances of works by George Balanchine are supported in part by the Balanchine Production Fund, an endowment created through The Campaign for New York City Ballet.

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New York City Ballet is generously sponsored by:

New York City Ballet is located in a facility owned by the City of New York, and its operation is made possible in part by public funds provided through the New York City Department of Cultural Affairs.

New York City Ballet’s programs are made possible in part by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.