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Translated as Variations for a Door and a Sigh, this avant-garde work presents a black-caped woman in the role of the Door, an imposing barrier to the male soloist who portrays the Sigh in a work that is Balanchine at his most experimental.
At the suggestion of Nicholas Nabokov, the composer of Balanchine’s Don Quixote, Balanchine heard Pierre Henry’s work during a visit to Paris and decided then that someday he would like to do a ballet to it.
The score makes use of the gamut of sounds associated with human sighing and the opening and closing of doors including creaking, slamming, and swinging on ungreased hinges.
The ballet is a pas de deux comprised of 14 variations for a female “Door” and a male “Sigh.” The dancers’ movements are in precise accord with the separate sounds and vibrations that form the score.
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