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Upcoming appearances

New York City Ballet embarks on national and international tours with the full Company and Orchestra, as well as via NYCB MOVES, our dynamic touring arm that showcases chamber works from the Company's repertory.

Please note: Due to the COVID-19 pandemic, all previously listed New York City Ballet touring performances in 2020 have been postponed.

NYCB MOVES at Dancers' Workshop
The Center Theater – Jackson Hole, WY
July 2021

July 28, 2021

Matinee (2 PM) and Evening (8 PM) Program

In the Night (Chopin/Robbins)
Lauren Lovette, Sara Mearns, Unity Phelan, Joseph Gordon, Russell Janzen, Andrew Veyette* [Solo Piano: Susan Walters] (*first time in a role)

This Bitter Earth (Richter, Otis/Wheeldon)
Tiler Peck, Adrian Danchig-Waring

Pictures at an Exhibition (Mussorgsky/Ratmansky)
Lauren Lovette, Unity Phelan, Ashley Hod*, Indiana Woodward, Gretchen Smith, Adrian Danchig-Waring, Andrew Veyette, Joseph Gordon, Roman Mejia*, Andrew Scordato  [Solo Piano: Stephen Gosling] (*first time in a role)

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NYCB MOVES at Vail Dance Festival
Gerald R. Ford Amphitheater – Vail, CO
July 2021

July 30, 2021

Opening Night

Dances at a Gathering (Chopin/Robbins)
Tiler Peck, Unity Phelan, Indiana Woodward, Gretchen Smith*, Ashley Hod*, Anthony Huxley, Russell Janzen, Joseph Gordon, Roman Mejia, Peter Walker [Solo Piano: Susan Walters] (* first time in a role)

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July 31, 2021

In the Night (Chopin/Robbins)
Lauren Lovette, Sara Mearns, Unity Phelan, Joseph Gordon, Russell Janzen, Andrew Veyette [Solo Piano: Susan Walters]

Sonatine (Ravel/Balanchine)
Tiler Peck, Anthony Huxley* [Solo Piano: Elaine Chelton] (*first time in a role)

Pictures at an Exhibition (Mussorgsky/Ratmansky)
Lauren Lovette, Unity Phelan, Ashley Hod, Indiana Woodward, Gretchen Smith, Adrian Danchig-Waring, Andrew Veyette, Joseph Gordon, Roman Mejia, Andrew Scordato [Solo Piano: Stephen Gosling]

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Kennedy Center
Washington, DC
June 2022

June 7-12, 2022

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For the Kennedy Center's 50th Anniversary Season, NYCB will present George Balanchine’s A Midsummer Night’s Dream, a production brought to the Center during the company’s very first engagement in 1974. A second program to be announced will include repertory work from present-day choreographers reflecting the current and future visions of the artistry at the Company and showcase a range of voices of dance creators living and working today.