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Kammermusik No. 2

Music
Paul Hindemith
Choreography
George Balanchine

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Performed with:

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INSIDE THE REPERTORY

Peter Walker on KAMMERMUSIK NO. 2

“Balanchine created this distinctly American style based on musicality and dynamics, elongated positions and angles—that’s at the foundation of all of the rep that we do.”

Peter Walker reflects on the singular aesthetic present in George Balanchine’s Kammermusik No. 2.

ANATOMY OF A DANCE

EMILIE GERRITY ON GEORGE BALANCHINE’S KAMMERMUSIK NO 2.

High-octane, high-contrast dancing in canon and close proximity makes this opening duet from Balanchine's second Hindemith-scored ballet both a challenge and a thrill. "Since you're only one count apart," Principal Dancer Emilie Gerrity jokes, "no one can be off, or there WILL be a collision."

KAMMERMUSIK NO. 2

Emilie Gerrity and Mira Nadon leading the charge in George Balanchine's precise and idiosyncratic Kammermusik No. 2, set to Paul Hindemith's 1924 score of the same name.

KAMMERMUSIK NO. 2

Mira Nadon and Ryan Tomash navigate this athletic and frenetic pas de deux from George Balanchine's Kammermusik No. 2 with crystalline attack.

Kammermusik No. 2

An excerpt from George Balanchine's Kammermusik No. 2.

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