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Megan LeCrone was born in Winston-Salem, North Carolina. She began her dance training at the age of four at Greensboro Ballet with Maryhelen Mayfield, John Dennis, and Elissa Fuchs.

At age 14, she began studying with Melissa Hayden and Duncan Noble at the North Carolina School of the Arts in Winton-Salem. Ms. LeCrone entered the School of American Ballet (SAB), the official school of New York City Ballet, full-time in the fall of 2001, and in November 2001 she became an apprentice with New York City Ballet.

Ms. LeCrone joined the Company as a member of the corps de ballet in October 2002 and was promoted to soloist in February 2013.

Portrait © Paul Kolnik


  • Agon
  • Brahms-Schoenberg Quartet (First Movement)
  • Coppélia (Dawn)
  • Cortège Hongrois
  • "Emeralds" from Jewels
  • Episodes
  • The Four Temperaments
  • George Balanchine's The Nutcracker® (Sugarplum Fairy, Dewdrop, Hot Chocolate, Coffee, Flowers, Frau Stahlbaum)
  • A Midsummer Night's Dream (Hippolyta)
  • Raymonda Variations
  • "Rubies" from Jewels
  • Serenade
  • Stars and Stripes
  • Swan Lake
  • Symphony in Three Movements
  • Tschaikovsky Piano Concerto No. 2
  • Tschaikovsky Suite No. 3 (Waltz)


  • Bournonville Divertissements (Pas de Six from Napoli and Abdallah)
  • La Sylphide (Effie)


  • Herman Schmerman


  • Bal de Couture
  • The Chairman Dances
  • Hallelujah Junction
  • The Red Violin
  • Romeo + Juliet (Lady Capulet)
  • The Sleeping Beauty (Lilac Fairy, Tenderness, Diamond)
  • Swan Lake (Pas de Quatre, Pas de Trois, Russian, Spanish, Princess)


  • Spectral Evidence


  • Voices


  • The Four Seasons (Summer)

Christopher d'Amboise

  • Tribute (NYCB Premiere)

Peter Martins

  • Ocean's Kingdom

Gianna Reisen

  • Judah

Melissa Barak

  • Call Me Ben

Mauro Bigonzetti

  • Luce Nascosta

Robert La Fosse

  • Land of Nod

Edwaard Liang

  • Lineage

Peter Martins

  • Friandises

Anatomy of a Dance

Megan LeCrone on Balanchine's AGON

Megan LeCrone talks about her special relationship with George Balanchine's AGON and why the ballet is still as radical today as it was in 1957.

Performance Excerpt

Megan LeCrone in Balanchine's Serenade